\u00a0<\/p>\n
Linda L\u00ea sinh n\u0103m 1963 \u1edf \u0110\u00e0 L\u1ea1t, m\u1eb9 l\u00e0 ng\u01b0\u1eddi Ph\u00e1p, cha l\u00e0 k\u1ef9 s\u01b0 ng\u01b0\u1eddi Vi\u1ec7t.<\/p>\n
Linda L\u00ea \u0111ang l\u00e0 c\u00e1i t\u00ean \u0111\u01b0\u1ee3c nh\u1eafc t\u1edbi nhi\u1ec1u nh\u1ea5t \u1edf m\u1ea3ng v\u0103n h\u1ecdc Francophone Vietnamese Literature (V\u0103n h\u1ecdc Ph\u00e1p do nh\u00e0 v\u0103n Vi\u1ec7t vi\u1ebft).<\/p>\n
C\u00e1i t\u00ean Linda L\u00ea \u0111\u00e3 r\u1ea5t quen thu\u1ed9c v\u00e0 \u0111\u01b0\u1ee3c \u0111\u1ed9c gi\u1ea3 Ph\u00e1p c\u0169ng nh\u01b0 \u0111\u1ed9c gi\u1ea3 c\u1ee7a nhi\u1ec1u qu\u1ed1c gia kh\u00e1c bi\u1ebft t\u1edbi v\u00e0 y\u00eau m\u1ebfn. T\u00e1c ph\u1ea9m c\u1ee7a c\u00f4 \u0111\u00e3 \u0111\u01b0\u1ee3c d\u1ecbch ra c\u00e1c th\u1ee9 ti\u1ebfng nh\u01b0 Anh, H\u00e0 Lan, B\u1ed3 \u0110\u00e0o Nha.<\/p>\n
T\u1ea1i Vi\u1ec7t Nam, nh\u1eefng cu\u1ed1n \u0111\u00e3 \u0111\u01b0\u1ee3c xu\u1ea5t b\u1ea3n g\u1ed3m c\u00f3 “S\u1ef1 d\u1ecbu d\u00e0ng c\u1ee7a Ma c\u00e0 r\u1ed3ng”, “T\u00ecnh ca \u00e1c qu\u1ef7”, “Ph\u00fac \u00e2m t\u1ed9i \u00e1c”, “Vu kh\u1ed1ng”, “L\u1ea1i ch\u01a1i v\u1edbi l\u1eeda” v\u00e0 “G\u1eedi \u0111\u1ee9a con m\u00e0 t\u00f4i s\u1ebd kh\u00f4ng sinh”.<\/p>\n
<\/span><\/p>\n Trong s\u1ed1 c\u00e1c t\u00e1c gi\u1ea3 xu\u1ea5t hi\u1ec7n trong danh s\u00e1ch \u0111\u1ec1 c\u1eed nh\u1eadn gi\u1ea3i Goncourt 2012 – gi\u1ea3i th\u01b0\u1edfng v\u0103n ch\u01b0\u01a1ng uy t\u00edn nh\u1ea5t c\u1ee7a Ph\u00e1p c\u00f4ng b\u1ed1 h\u1ed3i \u0111\u1ea7u th\u00e1ng 9 n\u00e0y c\u00f3 t\u00ean nh\u00e0 v\u0103n Ph\u00e1p g\u1ed1c Vi\u1ec7t Linda L\u00ea v\u1edbi t\u00e1c ph\u1ea9m “Lame de fond” (S\u00f3ng ng\u1ea7m \u1edf \u0111\u00e1y bi\u1ec3n).<\/p>\n Linda L\u00ea kh\u00f4ng ch\u1ec9 \u0111\u01b0\u1ee3c \u0111\u1ed9c gi\u1ea3 y\u00eau m\u1ebfn m\u00e0 c\u00f2n \u0111\u01b0\u1ee3c gi\u1edbi ph\u00ea b\u00ecnh c\u00f4ng nh\u1eadn v\u1edbi h\u00e0ng lo\u1ea1t nh\u1eefng gi\u1ea3i th\u01b0\u1edfng nh\u01b0 Gi\u1ea3i T\u00e0i n\u0103ng Vocation, Gi\u1ea3i Renaissance d\u00e0nh cho truy\u1ec7n ng\u1eafn, Gi\u1ea3i F\u00e9n\u00e9on, Gi\u1ea3i Prix Femina v\u00e0 gi\u1ea3i nh\u1ea5t Grand Prix do Vi\u1ec7n H\u00e0n l\u00e2m ngh\u1ec7 thu\u1eadt Ph\u00e1p trao t\u1eb7ng. C\u00e1ch \u0111\u00e2y 2 n\u0103m, c\u00f4 c\u0169ng l\u00e0 ch\u1ee7 nh\u00e2n c\u1ee7a Gi\u1ea3i Wepler tr\u1ecb gi\u00e1 10.000 euro. \u00a0N\u0103m nay, n\u1eef v\u0103n s\u0129 \u0111ang n\u00e0y \u0111ang l\u00e0 g\u01b0\u01a1ng m\u1eb7t \u0111\u1ea7y tri\u1ec3n v\u1ecdng \u1edf gi\u1ea3i Goncourt.<\/p>\n “S\u1ef1 d\u1ecbu d\u00e0ng c\u1ee7a ma c\u00e0 r\u1ed3ng” (1987), “Ch\u1ea1y tr\u1ed1n” (1988), “M\u1ed9t m\u00ecnh” (1989) l\u00e0 nh\u1eefng t\u00e1c ph\u1ea9m nhanh ch\u00f3ng \u0111\u01b0\u1ee3c c\u00f4ng ch\u00fang \u0111\u00f3n nh\u1eadn nh\u01b0ng \u0111\u1ed1i v\u1edbi L\u00ea, c\u00f4 kh\u00f4ng \u0111\u01b0a ch\u00fang v\u00e0 t\u1ef1 thu\u1eadt c\u00e1 nh\u00e2n ch\u00ednh th\u1ee9c c\u1ee7a m\u00ecnh b\u1edfi nh\u1eefng t\u00e1c ph\u1ea9m n\u00e0y kh\u00f4ng c\u00f9ng m\u1ed9t \u0111\u1eb3ng c\u1ea5p so v\u1edbi nh\u1eefng t\u00e1c ph\u1ea9m sau n\u00e0y c\u1ee7a c\u00f4.<\/p>\n